Nraaj Tsim 101 – Kab thiab Hom hauv Cov Nraaj Tsim

Tej zaum koj yuav tau pom tias cov kab tshwm sim hauv yuav luag txhua qhov ntawm cov qauv tsim peb pom. Qhov no yog vim tias cov ntsiab lus no muab kev sib npaug thiab sib piv thoob plaws hauv kev tsim. Kab lus no yuav tham txog qhov kev tso kawm ntawm cov kab thiab kev siv hom hauv txhua tus tsim. Tsis tas li ntawd, Koj yuav kawm txog cov ntawv xaiv thiab qhov loj me. Yuav luag txhua tus qauv tsim muaj ob txoj kab thiab hom, Yog li peb mam li saib cov ntsiab lus no ib yam nkaus. Peb tseem yuav npog ntau yam kev xaiv tso kawm rau hom thiab qhov tseem ceeb ntawm kev sib nrug.

Cov kab muaj nyob hauv yuav luag txhua tus tsim

Raws li koj yuav tau pom, Cov kab muaj nyob rau hauv yuav luag txhua qhov kev kos duab. Lawv cais cov ntsiab lus thiab kos tus saib lub siab rau ib qho chaw tshwj xeeb. Ntawm no yog cov piv txwv ntawm yuav ua li cas siv cov kab hauv koj tus tsim:

Lines are composed of points that are arranged in a line. These points can be thick, thin, jagged, or wavy. Almost every design contains some type of line. They act as organizing, emphasis, and decoration elements. When designing, be careful to consider subtle and unnoticeable qualities of lines. In addition to defining your composition, lines also help to create the feeling you want to convey.

Type arrangement

Typography is the art of arranging type. It can greatly affect design messaging. Different types of weights and sizes, bold, light, regular, and irregular can be used to add power to the design concept. Typography can also incorporate texture, rough, glossy, and soft, to add visual interest and depth to shapes, images, and text. Here are some tips on using typography effectively. You can also find examples of typography used in branding, web design, thiab luam ntawv magazine.

Typeface xaiv

Typography yog ib qho tseem ceeb ntawm kev kos duab. Thaum xaiv ib tug typeface, nws yog ib qho tseem ceeb uas yuav tsum xav txog koj cov neeg tuaj saib. Piv txwv, yog hais tias koj nyob nraum lub hom phiaj rau ib tug heev technical cov neeg tuaj saib, lub typeface yuav tsum niaj hnub thiab huv. Yog hais tias koj nyob nraum lub hom phiaj rau ib tug laus cov neeg tuaj saib, tej zaum koj yuav xav tau ib tug typeface nrog ib tug ntau rustic, los yog grungy saib. Ntawm qhov tod tes, yog tias tsim qauv rau menyuam yaus, ib hom ntawv nrog tus cwj pwm ntau dua yog qhov tsim nyog.

Thawj kauj ruam hauv kev xaiv cov ntawv sau rau koj tus qauv tsim yog kom paub txog nws. Sau tag nrho cov ntaub ntawv tsim nyog thiab nug hom foundry rau kev lees paub glyph. Koj tseem yuav tsum tshawb xyuas seb puas muaj daim ntawv tso cai kuaj tshwj xeeb rau cov ntawv sau uas koj siv. Tsis tas li ntawd, make sure you know the size requirements for the lettershapes. Book typeface families may need high-resolution printing with generous reproduction size.

Type size

Typography is a complex process. Each typeface has its own unique proportions and design. Different fonts require different type sizes, and some are larger than others. It is important to use the correct size and leading to make text readable. If you’re unsure, use the Info palette to find the number of characters per line. This will ensure your text is readable and will not be distorted or obscured by the surrounding layout.

Tracking

Typography tracking is the process of adjusting fonts so that they are easy to read. Tighter tracking creates tighter text and makes it easier for the reader to read. Tighter tracking is great for squeezing additional characters into a line, while looser tracking is better for giving a modern, sophisticated look. If you’re unsure whether tracking is necessary, try out a test page and see how the text looks.

In the first year of the program, students study all three design tracks to give them a broad exposure to the field. During their second year, students can focus on two of these tracks. By selecting two of these tracks, students can develop expertise in one track while expanding their experience in the other. There are many benefits to each choice, and the combination of studio and course work is beneficial to both the student and the industry. The tracks are different enough to keep students busy.

Kerning

You may be wondering what kerning is, and what does it have to do with graphic design. Kerning is the process of spacing out characters in a font, ensuring that each character has an equal amount of space. tiam sis, you should avoid taking a strictly mathematical approach. The reason for this is that unique letter combinations create different perceptions of space between them. tiag mas, the mathematical distances should vary depending on the word shape.

The first step in kerning your text is to consider how each letter fits into the rest of the letter. Certain letter combinations make for more space in the eye than others, so you need to be aware of this. You can use diagonals to help you achieve this. You can also use kerning to make your text look more pleasing to the eye. If you are unsure of whether you should use kerning or not, take a look at a few designs and see how they affect the overall appearance of the lettering.

The main goal of kerning is to improve the readability of a text. If kerning is wrong, it will feel off to the eye. When done correctly, it makes a huge difference. Good design communicates your message in a clear and fast manner. Whether it’s an email message or an online advertisement, kerning will make it more clear and memorable for the viewer.

Leading

Leading is a very important part of website design, as it creates a balanced feel between text and background. It is important to keep the leading the same or slightly smaller than the size of the text, as this will promote better readability. Adding more leading on a page can improve the legibility and readability of the content. tiam sis, leading is not the only important aspect of design. It is also important to consider the environment that visitors to your website will be using it on, as desktops are larger than laptops and mobile devices have smaller screen sizes.

Generally, leading should be the same as the point size, and should never be more than 15 points. This is because tighter leading can make text appear rushed or cluttered, while looser leading makes it easier to read. It is best to use leading when the text will be small on the page. Tsis tas li ntawd, excessive leading can make the page look unattractive and difficult to read. When choosing leading, consider whether the typeface has large, wide, or thin characters.

Origin stories of graphic design in Berlin

While researching the history of German poster competitions, J. e, n. s, especially before reunification. M.

e, y. e, r. This led to the birth of modern graphic design. t, u. In this way, you’ll be able to understand the history of this creative industry and how it has evolved throughout history.

After a few years, the enclave grew. This new wave of young designers was influenced by the culture of fanzines, music, and everyday life. The resulting design styles have changed the way we view the world today. In fact, the enclave has become a global center for graphic design. In this way, the city’s culture and its people have influenced graphic design for over two centuries.